#FINALE VERSION 25 HOW TO#
#FINALE VERSION 25 FULL#
#FINALE VERSION 25 PRO#

#FINALE VERSION 25 FULL#

I have been told that Finale 2014 was full of outdated code. I remember sitting in a session by Tom Johnson in October 2011 (Wisconsin MEA), where Tom showed that you can select a range and transpose with numbers (6 & 7 for whole steps, 8 & 9 for octaves), and I thought of, вЂњI have been using this program for how long and it can do THAT?!?вЂќДЄs for recent versions of Finale, Finale 25 was a complete under the hood reworking of Finale 2014.

I still canвЂ™t force myself to enter notation that way.ДЇinale is so feature rich that it is easy to think that you canвЂ™t learn to use it-you can. The Simple Note Entry Method allows you to enter everything as you go, including dynamics and diacritical markings. When I started on Finale, that was the standard approach, and I think that the Simple Note Entry Method has been stressed in Finale workshops for at least a decade. Mark Adler is awesome.) I made a rosette for our custom ukulele using FinaleвЂ™s abilities (See ). The Finale team used to publish demonstrations of what the program could do (I wish they still did this!), including a skull notation last year (See. If you use Finale, you know that it can literally do anything-things that are certainly far above my pay grade. Ex nihilo is a theological term that means, вЂњout of nothing,вЂќ and that is how Finale works: you start with an empty measure, versus the notation programs that start with a full measure of rests.

#FINALE VERSION 25 HOW TO#

I learned how to use Finale, which I fit into the category of ex nihilo music notation programs. I still use Finale to do most of my heavy lifting as I still work faster on Finale than any other program. ThatвЂ™s pretty amazing as AppleвЂ™s own applications will no longer work on my MacBook. As a side note, while Finale 26 does not list compatibility with my old operating system, it seems to run just fine on my ten year old MacBook.

#FINALE VERSION 25 PRO#

I also have a REALLY OLD MacBook, a 2008 Aluminum MacBook (renamed MacBook Pro a few months later) that is stuck on OS X El Capitan. In terms of platform, MakeMusic is not pursuing iOS, and I use my iPad Pro for 98% of my computing needs. DonвЂ™t get me wrong, I still use it, but I use it as a part of a process instead of as the whole process as I did earlier in my career. The greatest challenges with this case use were the old challenges of interacting with MIDI, controlling playback in rehearsal, programming tempo changes, and having that become accustomed to how an accompaniment should sound when a live pianist, in performance, does not hold a steady tempo and makes mistakes!ДЄdmittedly, my own use of Finale has decreased over the last few years, partly because of platform, and partly because of features. Generally, I have not used Finale as much as a publishing tool, but instead as an accompanist for my choirs. That said, IвЂ™ve used Finale as a tool as a choral music educator, in the classroom, since my first position in the Dominican Republic since 1996.

I donвЂ™t claim to be the expert on Finale that Robert Puff and Philip Rothman are and I wouldnвЂ™t dream of pitting my skills against the publishing teams at Hal Leonard or Alfred, nor against the team at Make Music. That means a quarter century of Finale use. I have been teaching 23 years, so I imagine that puts me at over twenty-five years of Finale use. If you have been in the music world for any period of time, youвЂ™ll know that Coda Music eventually became MakeMusic, and Vivace later became SmartMusic.

We were expected to use Finale, and even played with the вЂњnewвЂќ Vivace hardware (at the time). My first exposure to Finale was in college, where one of my professors had worked at Coda Music. I have been using Finale for a very long time. This posting curated from вЂ“ So many music educators have Finale background this one music educatorвЂ™s view of Finale 26

Finale version 25